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GILDED LILI: Lili St. Cyr and the Striptease Mystique

By Kelly DiNardo

Before Dita Von Teese ever splashed around in an oversized martini glass, before Madonna ever donned her cone bra for the “Blond Ambition” tour, even before Norma Jean Mortensen became Marilyn Monroe, there was Lili St. Cyr. This glamorous, platinum blond queen of burlesque influenced these 20th century sex symbols as well as popular culture itself for decades, yet her story has remained largely untold.
Gilded Lili: Lili St. Cyr and the Striptease Mystique details the life and times of the woman who helped cultivate the modern day impression of burlesque and inspired future femme fatales with her alluring and inventive routines. Drawing elements from history, fantasy and literature for her performances, the woman who transformed herself from Marie Van Schaack to Lili St. Cyr scandalized and seduced fans and celebrities alike from L.A. and Las Vegas to New York and Montreal.
Blond and beautiful, Lili St. Cyr shimmied across the nation’s nightclubs as one of this century’s great sirens. In this pre-sexual revolution era, her routines shocked audiences and earned her four arrests, while at the same time raising her profile and boosting her career. She amassed legions of famous fans, including Betty Grable, Humphrey Bogart, and Ronald Reagan, and her notoriety and fame brought both financial and commercial successes with movie roles in Howard Hughes’ Son of Sinbad and Norman Mailer’s The Naked and the Dead.
Lili’s sex appeal rivaled that of Lana Turner and Ava Gardner and enchanted men from around the world, She was married six times and was rumored to have had romantic trysts with admirers such as Orson Welles, Yul Brynner and Anthony Quinn. Off stage, Lili struggled with the conflicting pressures of the era. Despite her romances, she found love elusive. She had as many ten abortions, attempted suicide several times and became reliant on sleeping pills and ultimately heroin.
Gilded Lili explores the life of the last great burlesque queen, and a woman who impacted American popular culture long after she retired. During her reign, one reporter called her “the rich man’s Gypsy Rose Lee” and Marilyn Monroe took cues from her acts. After she retired, Mike Wallace wrote that his television interview with her over twenty years earlier remained one of the most fascinating ones he had ever conducted.
Today, current burlesque stars look to her for inspiration. Yet, outside of the neo-burlesque movement, only the men of this world – Abbott and Costello, Jackie Gleason and others – have found lasting fame. Kelly DiNardo’s Gilded Lili puts the emphasis on the women of this era, and shines the spotlight on one in particular: Lili St. Cyr.
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About the Author

Kelly DiNardo is a freelance writer based in Washington, D.C. Spanning a broad range of topics from politics and business to food and health, Kelly’s work has been published in The Washington Post, USA Today, Glamour, Redbook, Woman’s Day, Cooking Light and several other publications. She is also the author behind the popular burlesque blog, The Candy Pitch (www.thecandypitch.com).
See www.kellydinardo.com for more information.

Wooden Mirror.

Artist Danny Rouzen has reimagined the mirror with over 800 wooden blocks.

“A tiny camera gathers light and shape data, before sending it to a computer that processes it and uses hundreds of tiny electric motors to shift the wood blocks into the image in front of the device. Subtle gradations of shade are achieved by both the natural grain of the wood and the angle at which they are displayed, casting shadow if necessary.”

Hasn’t every reflective surface become an instrument for narcissism? I find myself fixing my hair in the windows of a bodega and checking my makeup in the hidden-camera mirrors alongside Chase ATMs.

That might not be Rozen’s point: instead of using mirrors to look inward, the wooden mirror asks us to see the objects around us as reflections (rather then merely pieces) of the external world.

[Via www.environmentalgraffiti.com]

Madame Rosebud

Excerpted from thecandypitch.blogspot.com

The Candy Gram: Madame Rosebud

In our ongoing Q&A series –”The Candy Gram”– we ask the same quirky questions of burlesque’s various performers. If you want to be added to the mix, drop us a line at kellydinardo AT gmail DOT com. Today, say hello to New York’s Madame Rosebud of The Peach Tartes.

What is your hometown?
New York City where there’s glitter in the sidewalks

How long have you been interested in burlesque/performing?
My mother says I’ve been “stripping” and calling people “honey” like Jessica Rabbit since I was three. I’ve been performing in musicals, operas, and plays since middle school. But my favorite role has been Cherry in William Inge’s Bus Stop that should have tipped me off.

How many pairs of pasties do you own?
Actually I only own three lovely twirly pairs by the wonderful Ruby Fizz, I’m a fan of colored electrical tape.

What are your three favorite songs to perform to?
I’m Not In Love With You by Immogen Heap
Air Bag covered by The Vitamin String Quartet
Strangers on a Train by Lovage

What three items could you not live without as a performer?
Kimonos, Fetish Heels, and RED lipstick

Who had the biggest influence on your career?
Tigger, he is fearless, shameless, romantic, well researched, beautiful, and a consummate professional. He is a joy backstage as well as in the spot light, he also has the classiest way of passing knowledge onto a performer. Immodesty Blaize in her own way has really helped me focus what my ideas of “good” and “great” burlesque are. She has a way of imbuing classical style with so much sass and pow, it becomes immediately original and breathtaking.

Who is your favorite burly queen?
There are soooo many! Well I’m partial to NYC’s own Tigger, Julie Atlas Muz, Little Brooklyn, Nasty Canasta, Clams Casino, The World Famous Bob. I love everyone that makes up this community, but I’d have to say currently Immodesty claims that title as well as the ladies in my troupe The Peach Tartes.

What is your favorite item of clothing?
My leopard print ’40s style turban.

What’s the last movie you saw?
The lush and groundbreaking Flower Drum Song

What’s on your must-see-TV list?
TCM! They’re almost always showing something great.

What book is on your nightstand?
The Asian Mystique by Sheridan Prasso and Snow Flower and the Secret Fan by Lisa See

If you could go anywhere for vacation, where would you go?
I would take my honey moon in Japan! If I could have any wish I would be a passenger on the Orient Express in the 1920’s, or I’d be seeing Mata Harri perform in Paris.

If you could have any superpower, which one would you want? Why?
I would be able to become invisible because that’s the ultimate tease. Can you just imagine?

OFFICIAL PRESS RELEASE

Pin-up mogul rises from the dead
Copious Magazine is back from hiatus!

New York, NY – Thursday, July 17th, 2008

Andrea Grant announced today the Copious Magazine is ready to celebrate the re-launch which is now available online at www.copiousmagazine.com.
Copious has been printed intermittently since 2001 and is proud to announce a new initiative to bring the world the finest in underground art, subculture, fashion, music events, literature, photography, film and everyone’s favorite: pin-up girls! The new quarterly edition is online as of today.

Andrea Grant, Founder of Copious Magazine, explains “Our fans simply won’t wait any longer. We were reporting on Dita Von Teese before burlesque had its resurgence. We have existing relationships at all levels of the underground and an intuition for what’s gorgeous and up-and-coming. In a world that is getting more and more dangerous and thought-controlled by the minute, art is what uplifts and inspires. This is the right time to re-launch the magazine.”

Readers can be added to the mailing list by emailing underground@copiousmagazine.com. The Copious Magazine blog is updated frequently and can be read at http://copiousmagazine.com/underground.

Copious Magazine has always been about diversity and blending elements that are not traditionally thought of as going together, art meets underground.

“We do not just engage with a finished artistic product, but also the process through which work is created,” Grant states. “Copious Magazine is ultimately a dialogue between the artists, the readers, the editors, and the work itself.”

Copious Magazine is accepting poetry, fiction, essays, and interviews with artists, photographers, and musicians. If you would like to submit your work or have a story idea, please email us at underground@copiousmagazine.com

Copious Magazine - Where Art Meets Underground!

Dynamic Architecture

Architect David Fisher is planning to start construction on the world’s first “skyscraper in motion” in Dubai. The skyscraper will be completed by 2010, and it will take “the concept of green buildings to the next level were it will generate electricity for itself as well as other nearby buildings, making it the first skyscraper designed to be self powered.”

This week’s New Yorker featured a short profile on the project. Fisher conceptualized this idea of “Dynamic Architecture” by imagining a building in which “every floor could spin, everyone in an apartment tower would have the mixture of views…Then, to make his building more environmentally sensitive, he left a few feet of space between each floor and put wind turbines there.”

Fisher plans to build another skyscraper in Moscow, and a third in New York. To imagine a building like this in the middle of the city is simply astonishing–but to imagine an entire city made up of these “four dimension[al]” towers is the stuff of science fiction.

Although the tower is visually stunning and allows residents “to drive directly into the building were a special elevator take their car to their floor and park at the entrance”–it’s ability to function as an alternative source of energy (for itself and for surrounding buildings) transforms it into a socially and economically viable solution for urban planning.

Dynamic Architecture
New Yorker Profile

Peter Callesen

It’s only appropriate that Peter Callesen is from Denmark, the country of Hans Christian Andersen’s fairy tales.

Some his work is pure whimsy, some of it is modest wit. His art is an antidote to writer’s block: the fully-realized blank page.


Impenetrable Castle, 2005


(detail)


Looking Back, 2006


Big wave moving towards a small castle made of sand, 2005


Closet, 2006


Angel, 2006


(Detail)


White Hand, 2007

Resurrection

Copious Magazine has been intermittently published since 2001, both in print and online.

Copious became famous for having its fingers on the pulse of the underground arts scene. We featured Dita Von Teese before she became a star, brought in pin-up girls to decorate the pages before the mainstream was aware the retro subculture even existed, and we threw elaborate parties where rappers performed alongside burlesque dancers.

Copious has always been about diversity and blending elements that are not traditionally thought of as going together.

After a 2-year hiatus, which was spent working on the comic book series ‘Andrea Grant’s MINX’ and the upcoming books ‘Bleach’ and ‘The Pin -Up Poet,’ we are resurrecting Copious for summer 2008.

Copious Magazine content is comprised of

- Fiction & Poetry
- Film & Music
- Art
- Photography
- Fashion
- The ‘Copious Underground’ section where we feature interesting side notes, characters, events, commentaries on pop culture, etc.
- And of course Pin-Up girls!

Copious will publish as a Quarterly online magazine, according to the seasons.  And we are planning to bring back the famous launch parties…

Copious Magazine Summer Pin-Up Girl Angela Ryan
(AngelaRyan.com)